I arrived two nights ago after my seven-hour drive from my home in the West Kootenays. I was worried about feeling distracted being in Banff; after all I spent two decades living and climbing here in the Canadian Rockies. But luckily my friends are busy and the ice is slow in coming in. I have been running up Tunnel Mountain and going to the rock gym at the Sally Borden Centre to get my daily training fix. Sarah Hueniken told me about the new “Playground” for mixed climbing that is just outside of Canmore, and we’ll get out there as soon as we can both clear our schedules.
The writing is going well. I came here with a lot of existing material, in need of a lot of editing. Tony Whittome is my main editor, and he has given me quite a lot of feedback on how to structure my story. As you can imagine, it is a chaotic affair sorting though the contents of one’s psyche, so there’s nothing better than an objective mind throwing in their professional perspective.
The Banff Centre is taking on a whole new slant for me. I have been coming to the mountain film festival here every year without fail since 1992, and I can say that being here on campus as an ‘artist’ has a completely different feel. I have a wonderful room; complete with king-sized bed and balcony, and a little writing studio in the basement of a different building. There is no view in this room, and it is dead quiet. The only distraction is the piano against the wall, where I can practice my scales and arpeggios whenever I need a break from putting thoughts down in writing.
I started having trouble sleeping about one week prior to coming here, and my insomnia is still in full swing. This gives me lots of extra time to write, especially late at night. I feel like I am running on some sort of adrenaline high, but I hope it wears off soon so I can go back to my normal sleep patterns.